
June 2026. Peter Quantrill
In February and March this year, Marin Alsop, Dalia Stasevska and Joana Mallwitz directed the Berlin Philharmonic in consecutive subscription programmes, uploaded to the orchestra’s Digital Concert Hall.
Alsop’s programme – astonishingly, her BPO debut – is a long and fascinating one, opening with the premiere of Day Night Day by Outi Tarkiainen (Finnish, b1985). A bewitching piece of post-Sibelian atmospherics (moody stepwise bassoon solos, clarinet and oboe recitatives), it does not outstay its five-minute welcome. The pulse is slow, the direction sure, the heritage of Nightride and Sunrise not oppressive.
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