| 2008 |
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Carnegie Hall Debut (with Baltimore Symphony)
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| 2007 |
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Inaugural concerts as Music Director of the Baltimore Symphony
Naxos releases final CD in Brahms Symphony cycle with the London Philharmonic Orchestra
Wins European Women of Achievement Award
Keynote speaker at American Symphony Orchestra League conference
Conducts London Philharmonic Orchestra to re-open Royal Festival Hall
Baltimore Symphony announces 16% increase in new subscription sales over previous year and more than 40% over 2005
Records 25th CD for Naxos, Bartok's opera Bluebeard's Castle
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| 2006 |
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Inaugurates "Marin on Music" on National Public Radio
Speaks at World Economic Forum in Davos
Debuts with Tonhalle Orchester Zurich, Royal Concertgebouw Orchestra, Washington National Opera
Makes Baltimore Symphony's first commercial recording since 1999
Conducts Faure Requiem in St. Paul's Cathedral, London
Conducts U.S. premiere of Nicholas Maw's opera, Sophie's Choice
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| 2005 |
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Appointed Music Director of the Baltimore Symphony Orchestra, beginning 2007
Makes history as the first woman to lead a major orchestra
Awarded 2005 MacArthur Fellowship Prize
Wins Classical BRIT Female Artist of the Year Award
Grammy nomination for recording of Daugherty's UFO with Evelyn Glennie and the Colorado Symphony
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| 2004 |
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Begins recording Brahms cycle for Naxos with the London Philharmonic Orchestra
Leads first major US revival of Adams's Nixon in China with Opera Theater of St. Louis and semi-staged
production of Bernsteins Candide with the New York Philharmonic
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| 2003 |
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Caps her first year as Principal Conductor of the BSO with winning Gramophone Magazine's Artist of the Year award and the Royal Philharmonic Society's Conductor Awardthe first artist ever to win both major awards in one year
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| 2002 |
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Begins first season in Bournemouth with the Times (London) writing "Alsop has...made her orchestra play like there was no tomorrow." And adding nine BBC Radio 3 broadcasts to the BSO schedule
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| 2001 |
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Accepts position of Principal Conductor of the Bournemouth Symphony Orchestra beginning in the 2002-03 season
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| 1999 |
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Accepts position of Principal Guest Conductor of the Royal Scottish National Orchestra (Glasgow) and begins recording the complete works of Samuel Barber in a six-CD series for NAXOS
Accepts position of Principal Guest with the City of London Sinfonia
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| 1998 |
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Receives Governor's Award for Excellence in the Arts, State of Colorado
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| 1997 |
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Receives distinguished Service Award from University of Oregon
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| 1996 |
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Accepts title of Conductor Laureate with the Eugene Symphony
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| 1995 |
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Awarded Honorary Doctorate of Letters degree by Gonzaga University, Spokane, WA
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| 1994 |
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Accepts position of Creative Conductor Chair with the St. Louis Symphony Orchestra
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| 1993 |
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Appointed Music Director of the Colorado Symphony (Denver). The CSO wins 1st prize of ASCAP under Alsop's direction for their programming in 1996/7 and 1999/2000
Makes European debut at the Schleswig Holstein Music Festival conducting the music of her mentor, Leonard Bernstein
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| 1992 |
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Appointed Music Director of the Cabrillo Festival of Contemporary Music located in Santa Cruz California. Cabrillo wins the national ASCAP Award for Adventuresome Programming of Contemporary Music every year under Alsop's direction
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| 1990 |
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Accompanies Leonard Bernstein to Japan as he establishes the Pacific Music Festival in Sapporo
Debuts with the Philadelphia Orchestra and Los Angeles Philharmonic
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| 1989 |
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Reinvitation to Tanglewood
Awarded the Koussevitsky Conducting prize by Tanglewood - first and only woman awarded the honor
Appointed Music Director of the Eugene Symphony (Oregon) and the Long Island Philharmonic, both posts lasting 7 years
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| 1988 |
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Prize winner in the Stokowski Conducting Competition with the American Symphony Orchestra in New York city
Wins the Leonard Bernstein Conducting Fellowship to the Tanglewood Music Center where she becomes a student of Leonard bernstein, Gustav Meier and Seiji Ozawa
Wins the position of Associate Conductor of the Richmond Symphony, Richmond, Virginia
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| 1985 |
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Begins conducting studies with Harold Farberman.
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| 1984 |
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Starts the Concordia Orchestra--dedicated to exploring all types of music, with an emphasis on jazz and contemporary ("crossover") repertoire. Concordia presently performs a 3 concert series at the Pierpont Morgan Library in NYC and 2 concerts at Lincoln Center, including an annual Christmas concert at Avery Fisher of the gospel version of Handel's Messiah called "Too Hot to Handel"
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| 1981 |
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Starts String Fever, a 10 piece string swing band comprised of 4 violins, 2 violas, 2 celli, bass and drums (still playing together today)
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| 1979 |
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Begins conducting studies with Carl Bamberger.
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| 1976 |
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Begins freelancing as a violinist in New York City - plays in the NYPhilharmonic, the NYCBallet, Mostly Mozart, New york Chamber Symphony, American Composers Orchestra to name a few, plus plays several Broadway shows such as Sweeney Todd and Showboat. Also begins studio work, playing on numerous film scores, popular albums, and television commercials.
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| 1975 |
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Transfers to Juilliard and completes Bachelor of Music Degree in 1977 and her Master's Degree in 1978, both in violin performance
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| 1972 |
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At 16, she enters Yale University, class of 1977
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| 1968 |
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Enters the Masters School (high school)--age 12
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| 1965 |
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Hears Leonard Bernstein conduct the New York Philharmonic and wants to become a conductor--she is 9 years old
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| 1963 |
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Enters Juilliard Pre-College at age 7
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| 1961 |
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Begins violin studies at age 5
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| 1958 |
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Begins piano studies at age 2
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| 1956 |
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Born October 16, in Manhattan to Ruth and LaMar Alsop, professional musicians. LaMar is a violinist and concertmaster of the NYCBallet Orchestra and Ruth is a cellist in the same orchestra.
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