&ldquoAs Alsop faced the cellos and drew from them the most tremendously shaped phrases with every inflection of her baton, you were aware of being in the presence of greatness.&rdquo
Musicomh.com
Articles By Marin
8th January 2016

The question of assimilation has been on my mind a lot lately. Living in this great country where individuality is embraced, our current obsession with assimilation for those choosing the U.S. as their new home seems like a strange paradox.

MARIN FOR NPR

12th April 2014

Conducting Gustav Mahler’s First Symphony is an exhilarating and demanding task. Although it’s one of his shortest symphonies (at about 55 minutes), it is an epic journey that requires countless hours of analysis and examination of the score. Still, it is a thrilling process to peel back and reassemble the many layers of Mahler’s music.

MARIN ALSOP FOR NPR

21st November 2013

I’m a bit of a cynic when it comes to composer anniversaries but this year, marking 100 years since the birth of Benjamin Britten, has been absolutely fascinating for me. I am now living proof that such centenaries can indeed change the way we look at a composer and provide us with opportunities to explore their breadth and depth…

MARIN ALSOP FOR NPR

25th September 2013

After months of planning, The Last Night of the Proms finally arrived. I was going to conduct classical music’s biggest party of the year and, as news reports across the world made clear, become the first woman to conduct this august occasion.

Marin Alsop for The Huffington Post

21st September 2013

Like Leonard Bernstein himself, there is absolutely nothing predictable about the music he wrote. None of the three amazing works Bernstein labeled as “symphonies” in any way resemble a conventional orchestral symphony.

MARIN ALSOP FOR NPR

21st June 2013

The Proms has a very special and unique atmosphere. I had the wonderful experience of making my debut (and return) at the Proms with the Bournemouth Symphony when I was principal conductor and was really moved by the enthusiasm of the audiences and the sense of occasion we all shared.

Marin Alsop for Gramophone

13th April 2013

Richard Wagner was, and still is today, arguably the most controversial figure in classical music. A self-appointed deity and hyperdriven genius, Wagner is often considered the ultimate megalomaniac. He dreamed up and achieved a single-minded plan to change the course of classical music history…

Marin Alsop for NPR

1st February 2013

My first encounter with the name James P. Johnson was a fleeting reference to the composer in a liner note for a Gershwin recording, but it was enough to pique my curiosity. I contacted Robert Kimball, the author of the notes, and he gave me some intriguing background on Johnson. In addition to composing the singular piece of music that came to symbolize the 1920s in America…

Marin Alsop for NPR

22nd December 2012

Discovering Brazil has been a series of wonderful revelations for me. As principal conductor of the Sao Paulo Symphony Orchestra for the past year, I have been deeply moved and even changed by my exposure to this culture of passion and positivity…

Marin Alsop for NPR

21st July 2012

People keep asking me why I recorded Sergei Prokofiev’s Fifth Symphony for my first CD release in my new post leading the Sao Paulo Symphony Orchestra. The simple answer is that it just felt right. But in thinking about it, I can now see many parallels — at least for me — between Prokofiev’s music, the city of Sao Paulo and the country of Brazil…

MARIN ALSOP FOR NPR